
Sam Worthington and Elizabeth Banks discuss his immediate future / Photo: Summit Entertainment
A light caper flick that wants to be The Italian Job when it grows up, Man on a Ledge offers a enough tension to engage yet without so much as to be tiring (think the under-appreciated The Next Three Days, as it happens). However, it’s not as intricately woven as either of the other two. So is that an endorsement or an indictment? You decide ~ it depends on what you want from your movie.
Think back (if you’re old enough, otherwise just trust me) to Ellery Queen vs. Agatha Christie. With Ellery, all the clues are present, so if you’re shrewd enough, you’ll solve the case right along with him; the final suspect gathering is all about watching the reactions and seeing if you got it right. With Agatha, her detectives often show up announcing offside activity: “I just came from the hall of records, and this document is the smoking gun!” The story holds, but we can’t play along; the suspect gathering reveals everything to us as well. So it is with Man on a Ledge. If you like Ellery,
you’ll feel dissatisfied; if you like Agatha, you’re golden.
Enough characterization to keep it moving, not enough to make you work, and plenty of action, minimal stress ~ you can “enjoy enjoying it.” Fun to see Jamie Bell, would definitely catch Genesis Rodriguez again, Mackie was underutilized, Worthington and Banks are a nice pairing.

Why I Saw It: Invited to a press screening, love a good action flick (especially one with a justice angle), Smitten with Anthony Mackie, and looking forward to seeing Jamie Bell.
Libra, INTP, English Major, 


Back from a seriously scary health relapse in mid-October and returning to action. Kudos to my patient friends and colleagues, you're the best. New programs and more unrolling this year, here's to 2012!
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